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Frații Martinez de la CÉ LA VI Marina Bay Sands din Singapore pentru Cercle

Cercle452 mins
Frații Martinez de la CÉ LA VI Marina Bay Sands din Singapore pentru Cercle
Vizualizari: 249



Frații Martinez cântă un DJ set exclusivist în Singapore la CÉ LA VI, Marina Bay Sands pentru Cercle. ☞ Abonați-vă la canalul nostru pentru mai multe videoclipuri: http://bit.ly/2BINQUh ☞ Abonați-vă la lista noastră de redare Spotify: https://Cercle.lnk.to/Spotifyplaylist/ ☞ Cercle pe Apple Music: https://apple.co/3wcY0bf ☞ Deveniți membru Cercle: https://Cercle.lnk.to/Members ☞ Frații Martinez https://www.facebook.com/themartinezbrothers/ https://open.spotify.com/artist/7B1LLuCQk13H4Mb6CFBftU 1°17′ 04.2″N 103°51’38.7″E Credite video: Artiști: The Martinez Brothers Locație: CÉ LA VI, Marina Bay Sands Produs de Cercle Producători executivi: Philippe Tuchmann & Derek Barbolla Film regizat de: Pol Souchier & Derek Barbolla Directori de fotografie : Mathieu Glissant & Mickaël Fidjili Pilot de dronă: Victor Gui (Flyht Studio) Director de scenă: Plako Inginer de sunet: Mark Gerard Masterizare sunet: Laurent de Boisgisson Director tehnic: Aurélien Moisan Postproducție: Mathieu Glissant / Saison Unique Production – Mulțumiri speciale lui Roberto Galgiardi și Deepak Prashad de la CÉ LA VI. Galerie Joseph. Această performanță artistică a fost înregistrată live. – ______ Urmărește-ne pe http://www.cercle.live

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45 thoughts on “Frații Martinez de la CÉ LA VI Marina Bay Sands din Singapore pentru Cercle”

  3. 🎧🤩🇸🇬 I had my BEST "Club" moments ever @ "Ku De Ta" then "Ce La Vi" @ MBS Singapore !

    😏 So i wish i could have danced there on THAT day on the excellent music of the Martinez bros !

    🙏🏻 And hoping to have super-FUN there soon again if finally the liars, profiteers and killers of the "New World Order" stop making our lives more complicated with their hell poison (😈Covi-VAX💉) ! …

    👊🏻🏆🔥 RESISTANCE !!! …

  6. Can we just take a sec to appreciate the guy in blue shirt with cool print? Just vibing, apparently by himself, enjoying atmosphere, and being cool with it? much love man.

  17. First off Thank you Cercle and The Martinez Brothers. Also full send to the host for setting everything up. I would suggest limit the post show down to 10 questions or less. Keep in mind the artist are TIRED AF post show. Let them rest and relax, who knows I might even offer a body adjustment 😀

  18. Hello Cercle, I appreciate and enjoy your production. It is a true gift of life to experience your shows. May I attend your show with my friends? It would be an honor to see this LIVE. Thank you, I look forward to being there.

  20. OMG, The Martinez Amigos are so GOOD!!!!

    I can’t wait to see them LIVE in San Diego! Hopefully at CRSSDFEST 🫱🏼‍🫲🏾

  33. For anyone who’s interested in getting a deeper understanding of what you're listening to… I’ve pulled together a mini-study of the set – demystifying the ‘art of DJing’ and showing that it isn’t just pushing buttons! 🙂

    Overview

    The overall mood of the set was soulful and funky – starting in a more chilled and melodic manner before increasing the pace and putting people ‘into their bodies’ with more rhythmic tracks. The energy never became too aggressive and therefore worked nicely with the time of day – sundown turning to night-time.

    I would describe the set as having four distinct ‘chapters’ – the warm-up (with lower BPM, lower percussion intensity) for the first section; increasing the pace (an increase in BPM / percussion intensity) for the second; the third chapter becomes the climax; before bringing energy down to close the set.

    To create movement and interest in the sound, the guys did a great job of alternating between instrumental and vocal-driven tracks. In addition, the sequencing of the tracks in alternating between tracks driven by the low-end Vs the high/mid frequencies. Again, this also creates movement to the sound and therefore the set never feels like it becomes stale.

    In terms of key observations and emphasising what was done very well:

    Energy Movement

    The two biggest elements which a DJ can use to drive the energy of a set is to make changes to the BPM (the primary driver) and also changes in percussion intensity of the tracks they choose (secondary driver). The guys actively managed both of these elements to great effect.

    In terms of BPM, the set starts off at 126BPM, before quickly moving to 127BPM for the tracks 2 – 7. Track 8 (26:00) is moved up to 128BPM and then track 11 (35:00) is moved to 128.5BPM. Finally, as we enter the third chapter and climax of the set (59:00) the BPM is moved to 130BPM – where it holds until the end.

    To illustrate more clearly, if you click @ 02:00, and then @ 59:30 – you can easily perceive the difference in energy levels. This is the power of using BPM as a means of manipulating energy.

    In a similar manner the percussion intensity of the first track – the kick drum, the hi hats, the snare are all fairly muted. By 10:00 you can feel the difference in the kick – its much more full and energetic. If you move to 29:00 you can feel this has gone up a notch again. And finally, by 59:45 the kick, hats, snare are much more aggressive.
    The guys have therefore not only made movements the BPM to increase the energy but also selected tracks with higher intensity percussion to increase the energy.

    While the BPM is maintained at 130 until the close, the percussion intensity in the last chapter comes off from the peak. For example, at 1:16:00 you can hear the difference in intensity to 59:45 (despite both being played at the same BPM)

    If I was to be hyper-critical, it might have been an idea to pull the BPM to 129 and then 128 to close the set out in the final chapter (then again, there was a follow-on DJ after the Martinez Bros, so perhaps this was not the objective to the close)

    Frequencies

    While I could go into detail on the instrumental Vs vocal contrast (which creates emphasis) or the motif length changes (which can be used to make more nuanced changes to energy) I’m going to look at the differences in the frequencies of the primary voice / motif of the tracks.

    By using tracks which are driven by different frequencies DJs can create movement and interest in the sound. (If for example every track was driven by a bassline banger or every track had a vocal, the set would become stale very quickly)

    For example @ 07:10 the track is a 16 beat melody, which is driven by the higher frequencies. The following track @ 11:00 is likewise a 16 beat melody but this is driven more by the mid-range. While the next track @ 16:30 is an 8 beat rhythm driven by the low frequencies.

    Another example (where there is contrast in frequencies in order to create emphasis), @ 29:30 the guys use an 8
    beat rhythm driven by the lows (basslines). @ 33:20 there is a 8 beat rhythm also driven by the bassline, before pulling away the bass motif at 37:45 – occupying the higher frequencies, before re-emphasising the bass frequencies @ 42:05. 

    It is the use of a track driven by high frequencies (and ‘takeaway’ of the low frequencies) which then provide contrast and allows re-emphasis of the low-frequencies in the following track.
    This is something which DJs use frequently on a more micro-level when they use a high-pass filter at the end of phrase – often removing the kick drum and bassline for the final 4 or 8 beats before reintroducing.

    The notion of changing frequencies is present throughout the set and creates not only movement in the sound, but also a way of creating emphasis of certain elements / frequencies.

  37. Porfavor Alguien sabe de videos de YouTube de más artistas que tocaron ese día en CÉ LA VI MARINA ??? Porfavor ??? Si los tienen, Súbanlos Porfavor !!!!!

  39. Best performance ever. not only because of the music selection, also about the marina bay Singapour views , difficult to reproduce by drons as cercle could do It ….

  43. Tienen un estilo único love Still 😍😍😍❤❤❤🎧🎧🎧❤❤❤😎😎😎🕺💃💥💥💥💥😍😍😍😍

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